The Avengers attack this being and his army of robots simply because they are there. He’s angry at Tony in a murky “you betrayed me, father” manner, but their conflict gets no time to manifest, so Ultron’s never as dangerous as Whedon intended him to be.

His sinister motivations aren’t clear enough. Ultron (James Spader), as a villain, disappoints. The film’s weakness brings up a continual issue with films in the MCU, though. And then there are battles with Ultron sprinkled throughout the film, leading to – as you’d imagine – a massive CGI climax. Even if you’ve avoided most of the Ultron marketing materials, you no doubt saw some footage of the film’s centerpiece brawl between a possessed Hulk and a fortified Iron Man in full Hulkbuster mode. That opening raid on HYDRA’s base is a head-turner, anchored by an incredible unbroken shot that lingers momentarily on each Avenger in a state of combat. (Though it’s possible that some of the series’ signature heroes have been relegated to cogs needed to keep the massive wheel turning this time out.) The novelty of seeing the Avengers assemble for the first time on screen is gone, so Whedon fills that loss with beefier action sequences meant to please both comic-book and summer-blockbuster crowds. Jackson) or War Machine (Don Cheadle), and they aren’t mere supporting players. You see? A lot has to happen in The Avengers: Age of Ultron - yes, arguably, too much – because I’ve barely mentioned characters like Thor (Chris Hemsworth), Captain America (Evans), Nick Fury (Samuel L. Even briefly touching on the subplots at work in this Avengers sequel, fans can look forward to: a developing love story between Banner (Ruffalo) and Natasha Romanoff (Scarlett Johansson), aka Black Widow the introduction of two vital team members in Quicksilver (Aaron Taylor-Johnson) and Scarlet Witch (Elizabeth Olsen) the increased development of dead-eye archer Hawkeye (Jeremy Renner), whom this sequel repeatedly reminds us was short-changed in the previous Avengers adventure a detour to South Africa, and a reference to Wakanda, where we stick a pin in Ulysses Klaw (Andy Serkis) and acknowledge that he’ll likely return for Marvel’s announced Black Panther movie and the birth of The Vision (Paul Bettany), easily the coolest thing to hit the MCU in ages. Tony Stark, once he obtains the stone, has other, similarly dubious plans.Īge of Ultron isn’t Iron Man 4, though, and Joss Whedon has several other plates he needs to keep spinning as this sprawling, ensemble-driven story finds its way. HYDRA used the alien stone’s magical abilities to experiment on willing human test subjects. The Baron is encouraged to unleash “The Twins,” enhanced warriors given powers by the mysterious gem located in Loki’s scepter. The Avengers – a multi-faceted squad led by Iron Man (Robert Downey Jr.) and Captain America (Chris Evans) – move in on a HYDRA facility run by Baron Wolfgang von Strucker (Thomas Kretschmann), an adversary spotted in the mid-credits sequence for Captain America: The Winter Soldier. If the initial Avengers movie introduced the discordant team to our world in 2012, then its sequel illustrates how we now exist in a universe that belongs to super-powered heroes and villains… for better, and for worse.īecause the terrain has been sufficiently established over 10 previous Marvel movies, Whedon is able to forgo any tedious, repetitive introduction and open Age of Ultron with a bang. But how often do you stop and consider what that term actually means? I’ll admit that I didn’t fully grasp the scope of the phrase – particularly the word “Universe” – until Joss Whedon expanded the playing field with his massive, immersive and wildly entertaining The Avengers: Age of Ultron. It’s a phrase that has entered our pop-culture lexicon as Marvel's movie studio has expanded its reach. We write at length, practically on a daily basis, about the Marvel Cinematic Universe.

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